Nov. 15th, 2010

It is self-evident (textual, even) that Dollhouse can be read as an extended metaphor for, or is even a straight representation of, prostitution and trafficking. The way that the dollhouses work, in wiping the personalities of individuals and replacing them with synthesised, or actual personalities of other people, at the behest of clients who pay big money to have dolls 'be' other people, also brings forth a whole bunch of other issues around consent and choice. It's a regular ontological thought experiment.

What I do find disappointing, because I am unreasonable, is the amount of times the show misses the open goal of making any kind of point about gender and bodies being for sale. I've just started watching S2, and this disappointment has not been assuaged much by the first three eps.

Spoilers for 2.3 "Belle Chose". Also, contains details of Whedonverse plots and proposed plots that may be triggery around rape.  )

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